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            Kôji Yakusho’s guiding light in Perfect Days and much more͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;
        
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    <a class="brand-logo-link" href="https://www.jamespillion.com/" style="color:#e73e3e !important;"><img class="brand-logo" src="https://images.squarespace-cdn.com/content/5d6e5bd5387da8000162b6a2/1568966833012-U8W1VBIL6OAZHKEJRX6V/JP_logo_site_lrg.png?format=750w" height="37" alt="James Pillion" style="font-size:.8333333333333334em;display:block;border:0;text-decoration:none;line-height:0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;color:#000;height:auto;max-height:37px;max-width:100%;width:auto;margin-left:0px;"></a>
    
  

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<table role="presentation" width="100%" cellpadding="0" cellspacing="0" border="0" bgcolor="transparent" class="text-section section-content">
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      <p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;">The tail end of a class pass trial left me curious to get uncomfortable. Which is how I found myself in a blacked out spin class, cycling in time to some god-awful high-intensity music. But when I stopped judging and gave myself over to the moment, the pulsing lights and outrageous routines had me   crooning along to <a href="https://open.spotify.com/track/0gPQTLaqHDgdupKEok7J2x?si=08a80520ec364b88" rel="nofollow" style="color:#e73e3e !important;"><strong>Craig David</strong>’s 7 Days</a> (the only redeeming track) in the dark. While I don’t see myself rushing back anytime soon, the unsettling nature of doing something completely different reminded me why I want to stick close to <strong>Jerzy Gregorek</strong>’s sound life advice. <a href="https://www.goodreads.com/quotes/8652595-hard-choices-easy-life-easy-choices-hard-life" rel="nofollow" style="color:#e73e3e !important;">‘Hard choices, easy life. Easy choices, hard life.’</a></p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;">To celebrate the release of my <a href="https://www.youtube.com/channel/UCaA5KPdI2yCLofRKqMlwMIQ" rel="nofollow" style="color:#e73e3e !important;">first five episodes</a> of <strong>Putting Yourself First</strong> on my YouTube channel, I made my <a href="https://open.spotify.com/playlist/32MIx0oFFePjMin40mFUbS?pt=eaa4055198add29650f607cb00d01818&amp;si=747a5c4911704f6b" rel="nofollow" style="color:#e73e3e !important;">April playlist</a> extra picante 🌶️ </p>
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      <h3 style="color:inherit;margin:1.414em 0 .5em;font-weight:400;line-height:1.25em;font-size:1.44em;mso-line-height-alt:1.44em;margin-top:0;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;letter-spacing:0em;"><a href="https://www.youtube.com/watch?ab_channel=MadmanFilms&amp;v=VFhnCm6-uMg" rel="nofollow" style="color:#e73e3e !important;"><strong>Perfect Days </strong>🎥<strong>&nbsp;</strong></a></h3><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;">I sat down with <strong>Wim Wenders</strong>’ <strong>Perfect Days</strong> at the tail end of an imperfect one. Within minutes, the clouds dispersed, welcoming blue skies once more. Which got me to chewing over <strong>Neil Postman</strong>’s <strong>Amusing Ourselves to Death </strong>and an opening passage on how the invention of the clock turned us into <a href="https://en.wikipedia.org/wiki/Amusing_Ourselves_to_Death" rel="nofollow" style="color:#e73e3e !important;">‘time-keepers, and then time-savers, and now time-servers’</a>. Time is a central focus of this quiet masterpiece, stripping the essence of life back to basics with <strong>Kôji Yakusho</strong>. While I was initially reticent to watch a middle-aged man clean toilets, Yakusho’s daily habits had me leaning forward. His hermetic existence and mindful practices reminding of Wilde’s quote that to love oneself and enjoy our own company is the beginning of <a href="https://www.brainyquote.com/quotes/oscar_wilde_103614" rel="nofollow" style="color:#e73e3e !important;">‘a lifelong romance’</a>. This film truly resonates post-pandemic. I’m looking forward to <a href="https://www.youtube.com/watch?ab_channel=TravisPictures&amp;app=desktop&amp;v=F5I_TIAYHiY" rel="nofollow" style="color:#e73e3e !important;"><strong>Shall We Dance</strong></a>, the 1996 film that brought it all together.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;"><a href="https://www.youtube.com/watch?ab_channel=ColliderInterviews&amp;v=mEHknI2IiFY" rel="nofollow" style="color:#e73e3e !important;"><strong>“Most everyday routines of people in movies is not nice, and I wanted his everyday routines to be gorgeous.” — Wim Wenders</strong></a></p>
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      <h3 style="color:inherit;margin:1.414em 0 .5em;font-weight:400;line-height:1.25em;font-size:1.44em;mso-line-height-alt:1.44em;margin-top:0;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;letter-spacing:0em;"><a href="https://www.youtube.com/watch?ab_channel=A24&amp;v=qOYrpk-A45s" rel="nofollow" style="color:#e73e3e !important;"><strong>Occupied City </strong>📹</a></h3><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;">The persistence of memory is under the microscope in this four-hour documentary on Amsterdam under Nazi occupation. Unsettling and violent  stories of prejudice and antisemitism on Amsterdam during Nazi occupation as set against tender slices of modern-day life. That the footage captures the onset of the pandemic, complete with empty streets and the odd protest, infuses an alluring tension. <strong>Steve McQueen</strong>’s <strong>Small Axe</strong>, <a href="https://www.jamespillion.com/campaigns/view-campaign/QBDqVjRW-WlRpjn5hnyDcp8zmOzsByGaxFrKxqhmR_nFBb9yI1F2sKx9HGCm6jNZvYHOAH29UJcIiEN8DETfYntZ-b62sJ3o" rel="nofollow" style="color:#e73e3e !important;">a highlight from my 2021 newsletter</a>, set me alight with his tales of prejudice and hardship for the West Indian communities in <strong>Margaret Thatcher</strong>’s England. McQueen follows in this tradition, upending the limits and bounds of what makes for compelling storytelling. </p>
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      <h3 style="color:inherit;margin:1.414em 0 .5em;font-weight:400;line-height:1.25em;font-size:1.44em;mso-line-height-alt:1.44em;margin-top:0;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;letter-spacing:0em;"><a href="https://www.youtube.com/watch?ab_channel=JerusalemIntl.Women%27sfilmfestival&amp;v=8f0pt5ckIo0" rel="nofollow" style="color:#e73e3e !important;"><strong>Sons of Cain </strong>📹<strong>&nbsp;</strong></a></h3><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;">A friend’s birthday dinner had me lost in conversation with <strong>Keti Stamo</strong>, an Albanian filmmaker, across the table. It was our mutual fascination with redemption that led her to share the synopsis behind her debut feature documentary. Blood feuds, or <a href="https://en.wikipedia.org/wiki/Albanian_blood_feud" rel="nofollow" style="color:#e73e3e !important;">Gjakmarrja</a>, are a part of Albanian folklore, an honour-bound tradition of seeking retribution for harm done to one’s kin. An eye for an eye. Yet it’s the ensemble of children, the offspring of adults trapped in this vicious cycle, that truly startles. Innocent boys and girls debating the merits of this violent tradition, <a href="https://en.wikipedia.org/wiki/Cain_and_Abel" rel="nofollow" style="color:#e73e3e !important;">by way of Cain and Abel</a>, with such prescient wisdom. Stamo’s all-consuming doco releases on <strong>MUBI </strong>this month.&nbsp;A must watch.</p>
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