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Kรดji Yakushoโs guiding light in Perfect Days and much moreอโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ อโ
MY FAVOURITE THINGS | Fill Your Heart
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โAll we have to decide is what to do with the time that is given us.โ โโ J.R.R TOLKIEN
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The tail end of a class pass trial left me curious to get uncomfortable. Which is how I found myself in a blacked out spin class, cycling in time to some god-awful high-intensity music. But when I stopped judging and gave myself over to the moment, the pulsing lights and outrageous routines had me crooning along to Craig Davidโs 7 Days (the only redeeming track) in the dark. While I donโt see myself rushing back anytime soon, the unsettling nature of doing something completely different reminded me why I want to stick close to Jerzy Gregorekโs sound life advice. โHard choices, easy life. Easy choices, hard life.โ To celebrate the release of my first five episodes of Putting Yourself First on my YouTube channel, I made my April playlist extra picante ๐ถ๏ธ
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I sat down with Wim Wendersโ Perfect Days at the tail end of an imperfect one. Within minutes, the clouds dispersed, welcoming blue skies once more. Which got me to chewing over Neil Postmanโs Amusing Ourselves to Death and an opening passage on how the invention of the clock turned us into โtime-keepers, and then time-savers, and now time-serversโ. Time is a central focus of this quiet masterpiece, stripping the essence of life back to basics with Kรดji Yakusho. While I was initially reticent to watch a middle-aged man clean toilets, Yakushoโs daily habits had me leaning forward. His hermetic existence and mindful practices reminding of Wildeโs quote that to love oneself and enjoy our own company is the beginning of โa lifelong romanceโ. This film truly resonates post-pandemic. Iโm looking forward to Shall We Dance, the 1996 film that brought it all together. โMost everyday routines of people in movies is not nice, and I wanted his everyday routines to be gorgeous.โ โ Wim Wenders
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The persistence of memory is under the microscope in this four-hour documentary on Amsterdam under Nazi occupation. Unsettling and violent stories of prejudice and antisemitism on Amsterdam during Nazi occupation as set against tender slices of modern-day life. That the footage captures the onset of the pandemic, complete with empty streets and the odd protest, infuses an alluring tension. Steve McQueenโs Small Axe, a highlight from my 2021 newsletter, set me alight with his tales of prejudice and hardship for the West Indian communities in Margaret Thatcherโs England. McQueen follows in this tradition, upending the limits and bounds of what makes for compelling storytelling.
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Only Werner Herzog, my favourite living human being, could turn down an audience with the Emperor of Japan (โWhat would I have to talk to him about but utter banalitiesโ) for a fortuitous meeting with Hiroo Onoda, the last Japanese soldier to surrender in WW2. The gift of The Twilight World is its study of time through the mindโs eye of Onoda, a devoutly principled soldier who toiled in the Filipino jungles for 29 years after Emperor Hirohitoโs surrender. S/O to The Adam Buxton Podcast for turning me onto this slim gem through this revealing conversation which explores how and why Herzog considers himself a writer before all. โTime outside their lives seems to have the quality of a spasm, even though it canโt shake the imperturbable universe.โ โ Werner Herzog
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I fell into the first half of this DOAC interview with Robert Greene over a quick spot of scrumptious Nepalese after an evening Yoga class. I was so consumed by his compelling arguments around how and why we all wear masks that I didnโt even think to sweat the traffic jam in the kitchen. Greene offers such a refreshing take on the idea of the public persona, each and every one of us actors upon a stage. As Rene Girard makes plain, mimicry is an essential part of the development process, an intuitive process that carries on the traditions and practices of our ancestors. Which stands to reason that our public persona is built off generational mimesis. I look forward to diving into my incoming second-hand copy of The 48 Laws of Power.
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A friendโs birthday dinner had me lost in conversation with Keti Stamo, an Albanian filmmaker, across the table. It was our mutual fascination with redemption that led her to share the synopsis behind her debut feature documentary. Blood feuds, or Gjakmarrja, are a part of Albanian folklore, an honour-bound tradition of seeking retribution for harm done to oneโs kin. An eye for an eye. Yet itโs the ensemble of children, the offspring of adults trapped in this vicious cycle, that truly startles. Innocent boys and girls debating the merits of this violent tradition, by way of Cain and Abel, with such prescient wisdom. Stamoโs all-consuming doco releases on MUBI this month. A must watch.
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It was Mads Mikkelsenโs stoic face, plastered across telephone poles and tiled wall fronts, that got me curious. As Iโve confessed more than once in this newsletter, a period drama with a juicy hook is my idea of a good night in. In 18th Century Denmark, Mikkelsen, a retired captain, invests his pension in a Sisyphean dream. Thereโs something so primal and compelling about a man forging something out of nothing, cultivating barren lands while deflecting the duplicitious double-talk of civil society. Nikolaj Arcelโs compelling drama reminds why mankind, especially when cloaked in silk and lace, is truly a vicious beast. Iโm hungry to feast my eyes on Mikkelsen in Arcelโs 2012 A Royal Affair.
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As I shared in a recent book review, Steven Soderbergh is a man after my own heart. His captivating conversation on his 2023 reading list also explained why a good book helps me find equilibrium, a cast anchor in stormy seas. His newfound zeal for Sarah Bakewellโs How to Live and more specifically Michel de Montaigne, its subject, sent me down a rabbit hole. As this School of Life video proves, Montaigne is cut from the same cloth, a brilliant academic whose self-awareness inspired him to skewer the pretensions of power. What makes the 16th Century thinker so modern is his implicit believe that our fallibility is what makes us so beautiful in the first place. โOur life consists partly in madness, partly in wisdom. Whoever writes about it merely respectfully and by rule leaves more than half of it behind.โ โ Michel de Montaigne
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Thereโs only a handful of public personalities that can lower my emotional drawbridge on social media and Knxwledge is one of them. His hilarious animations, homegrown on Twitch, serving as dancing monkeys to his bespoke beats. Iโm a sucker for cultivated irreverence and the Los Angeles based musician makes it look easy. For my money, the Stones Throw artist is one of the most innovative beat makers making the scene today. Thereโs something so infectious to his throwback samples on ๅฎถ.V3., his pulsing rhythms inducing a childlike impulse to climb inside the matrix and groove alongside his animated creations. HX.25 is pure unadulterated gold.
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Thanks for reading. To show your support, forward it to someone whoโd like it or treat yourself to one of my books.
If youโre seeing this newsletter for the first time, you can read previous issues and subscribe here.
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WRITING | @jamespillion FILM | @jamespillionfilm NEWSLETTER | @myfavouritethingsnewsletter
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