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Melanie Challenger on How to Be Animal and much moreΝβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ
MY FAVOURITE THINGS | Everybodyβs Got To Learn Sometime
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βThe human brain is a complex organ with the wonderful power of enabling man to find reasons for continuing to believe whatever it is that he wants to believe.β β VOLTAIRE
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It was while deep in the depths of a body flu, my second for the month, that I reluctantly swallowed a bitter pill of truth. Iβm pretty bloody good at living life in the fast lane, pedal to the metal, but ask me to hit the brakes for any length of time and I fall to pieces. Ross Gayβs enlightening conversation on the power of joy helped me rise above a doom loop of self-pity. Itβs not a stretch to say that we were built for one speed in the West. Hyperdrive. But in being over-productive, and consummately consumptive, day in day out, we never have time to delight in the radical art of doing nothing. Donβt miss my July playlist for all the hits you never knew you needed π§
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The burden of human exceptionalism stands trial in Melanie Challengerβs highly charged book and with it our inability to embrace the animal in us. As weβre forever reminded these days, the very survival of the natural order is increasingly dependent on the whims and needs of the human race. In making room for Challengerβs uncomfortable truths, Iβve been embracing my animal side, learning to observe rather than react, to remind myself that I am so much more than my thoughts. And by learning to live in harmony with the world around me, Iβm helping to resist E.O. Wilsonβs startling observation that weβre sentient creatures βdrowning in information, while starving for wisdomβ. βBut humans have a social psychology that quivers between being defensive and supportive, collaborative and self-protective. The rub is that the very same spark that drives us into each otherβs arms and minds can bring out the worst in us.β β Melanie Challenger
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Happiness is a tragicomic love story. At least thatβs how it seemed to me after leaving Cinemateca Portuguesa last week. I must have seen this film six or seven times but Charlie Kaufmanβs bittersweet screenplay hit a new nerve this time round, helping me accept a vital principle about life. Namely, that we are nothing without experience and thereβs nothing like harrowing heartbreak to open our eyes to certain realities, cracks in the facade that remind us of our (many) imperfections. We may chide ourselves for making mistakes in love but Michel Gondry reminds that to erase the hurt is to lose ourselves altogether.
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I love how this four-part series anchors the storied Memphis label like a good drama, raw promise and passion tainted by unforeseen tragedy (the premature death of Otis Redding and the Bar Kays) and eventual betrayal (Atlantic Records take-no-prisoners contracts) leading to a phoenix rising from the ashes. It was the family affair behind Soulsville USA that kept me bingeing, the loving sacrifice that seeped into the soul of its musical output. While endemic racism drove the company to insolvency, Al Bellβs singular vision would nurture the creative aspirations of talent like Isaac Hayes, transforming their singular sound into a generational movement.
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With every passing year, my love for animals grows a little deeper and with it a burning desire to know how they think and feel. Sam Anderson comes across as nutty as yours truly as the host of Animal. While I can take or leave his New York Times podcast series, I canβt shake the compellingly touching pilot. A domestic incident involving Andersonβs domestic pets; a missing golden hamster called Mango and a purebred, longhaired miniature dachshund called Walnut. When Mangoβs sudden disappearance stirs Walnut from his eternal slumber to solve the riddle, Anderson is moved beyond words. Our favourite animals know just how to keep us on our toes, loving reminders to leave the door open to the unknown.
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MaΓ―wennβs visual eye candy of a film hit me between the eyes with a startling discovery. It was the French, not the Yanks, that put forth the proposition that bigger is better, celebrating the opulence of impracticality in all facets of life. While Sofia Coppolaβs Marie Antoinette treats Versailles as a veritable pleasure palace, MaΓ―wenn skewers its patriarchal absurdities to spotlight Jeanne Du Barry, an indelibly freewheelinβ spirit ripe for the silver screen. Johnny Depp shines as Louis XIV, a taciturn man whose inner child awakens in the company of his favourite mistress. This one got under the skin.
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Gratuitous sex and a touch of the ultra violence were my primary motivations in seeking out this lush HBO drama out as a teenager. Re-watching the series has been a warm blanket of vicarious pleasure ahead of a trip to Italy. While Iβm a sucker for the lush costume and set design, itβs the well drawn characters that linger longest. A curious cross-section or high and low born souls doing their darnedest to stay alive. The noughties period spectacle reminds that a good blend of superstition, bloodlust and orgiastic carnality were once requisite ingredients to a virtuous life.
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Reading Donald Sutherlandβs obituary got me to reflecting on how little I knew the man behind the mask. I was first introduced to the Canadian actor through films like JFK, Outbreak and A Time to Kill. Only later did I wind back the clock, getting lost in his breakout classics, films like M*A*S*H, Klute and Donβt Look Now. Sutherland escaped the confines of Central Casting from the get go, filling the shoes of lotharios, insubordinate combat surgeons and cold-blooded con men. His undying love for Federico Felliniβs Casanova (a critical and commercial flop) is what sets his generation apart from todayβs crop of talent. βWorking for Fellini was the best experience of my life. For an actor, there is no one like him. More than anyone else in the world, you submit to Fellini. He is the master, and you go to serve.β β Donald Sutherland
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Blame it on the drugs but the cover of Nabihah Iqbalβs DREAMER has the quality of coming alive at any given moment. Itβs beautiful to enjoy an album that floats across musical genres, traces of shoe gaze (The World Couldnβt See Us), Madchester rave (Sunflower) and feel-good electronica (Sky River) scattered throughout. The 2023 LP brings to mind Quincy Jonesβ maxim on how thereβs only ever been two types of music. Good (and bad). Just as the title promises, the album is loaded with possibility, the perfect accompaniment to work to or else do positively nothing. Her recent two-hour NTS show is a royal good time.
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WRITING | @jamespillion FILM | @jamespillionfilm NEWSLETTER | @myfavouritethingsnewsletter
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