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            David Attenborough’s mission for Mammals and much more͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;
        
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    <a class="brand-logo-link" href="https://www.jamespillion.com/" style="color:#e73e3e !important;"><img class="brand-logo" src="https://images.squarespace-cdn.com/content/5d6e5bd5387da8000162b6a2/1568966833012-U8W1VBIL6OAZHKEJRX6V/JP_logo_site_lrg.png?format=750w" height="37" alt="James Pillion" style="font-size:.8333333333333334em;display:block;border:0;text-decoration:none;line-height:0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;color:#000;height:auto;max-height:37px;max-width:100%;width:auto;margin-left:0px;"></a>
    
  

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      <h4 style="color:inherit;margin:1.414em 0 .5em;font-weight:400;line-height:1.25em;font-size:1.2em;mso-line-height-alt:1.2em;margin-top:0;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;letter-spacing:.02em;"><strong>“Today, measured by weight, less than 6% of mammals in the world are truly wild. The other 94% are our livestock, our pets and ourselves.” </strong></h4><p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;text-align:right;line-height:1.618em;margin-bottom:0px;" class="">— DAVID ATTENBOROUGH</p>
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<table role="presentation" width="100%" cellpadding="0" cellspacing="0" border="0" bgcolor="transparent" class="text-section section-content">
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      <p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;">When João, my new favourite Yoga teacher, asked the class what each of us sought from our practice, a chill went through me, which was odd given the sweltering heat of the space. To practice Yoga at any level is to practice the art of belonging; to our body, mind and by virtue the world around us. There’s something so humbling to holding a certain pose and simply breathing through the discomfort. Learning not to judge our shortcomings but simply observe the moment. Which, it soon dawned on me, is what I sought above all. To inhabit the unvarnished present for all its worth. </p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;">Madre mio! How is it August already? Time flies when you’re having fun <a href="https://open.spotify.com/playlist/5arOu23DJ6rrh5rCofCfVy?si=19ace09f759b49f4" rel="nofollow" style="color:#e73e3e !important;">making playlists</a> (in the sun) 🔆</p>
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      <h3 style="color:inherit;margin:1.414em 0 .5em;font-weight:400;line-height:1.25em;font-size:1.44em;mso-line-height-alt:1.44em;margin-top:0;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;letter-spacing:0em;"><a href="https://www.youtube.com/watch?v=fRSEMsutVdI" rel="nofollow" style="color:#e73e3e !important;"><strong>Mammals </strong>📺<strong>&nbsp;</strong></a></h3><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;">There’s nothing quite like blissing out in bed with a first-rate nature doc. This new BBC docuseries offers up an unprecedented look at a diverse set of warm-blooded vertebrates and the precarious lengths being taken to survive in the shadow of man. Which is how I was reminded of my favourite line from <strong>Steven Spielberg</strong>’s <strong>Jurassic Park</strong>. <em><a href="https://www.youtube.com/watch?v=oijEsqT2QKQ" rel="nofollow" style="color:#e73e3e !important;">Life finds a way</a>.</em> For most of human history, we’ve survived on folk stories and cautionary parables of the animal kingdom. But in the past fifty years, we’ve been granted a God’s eye view into the inner workings of the natural order and its awe-inspiring complexity. A fitting accompaniment to <strong>Melanie Challenger</strong>’s <a href="https://www.awesomebooks.com/book/9781786895752/how-to-be-animal/used?gad_source=1&amp;gclid=CjwKCAjwqre1BhAqEiwA7g9Qhk4qWiepueIFQSYM4aeEDegieRyWIXcfTk4ZUQBISeEZDE78cHxQSBoC0GgQAvD_BwE" rel="nofollow" style="color:#e73e3e !important;"><strong>How To Be Animal</strong></a>.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;"><a href="https://www.youtube.com/watch?v=fRSEMsutVdI" rel="nofollow" style="color:#e73e3e !important;"><strong>“People are not going to care about animal conservation unless they think that animals are worthwhile.” — Sir David Attenborough</strong></a></p>
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      <h3 style="color:inherit;margin:1.414em 0 .5em;font-weight:400;font-size:1.44em;mso-line-height-alt:1.44em;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;letter-spacing:0em;line-height:1.25em;margin-top:0px;margin-bottom:0.5em;"><a href="https://www.youtube.com/watch?v=pqRP_5H5jmU" rel="nofollow" style="color:#e73e3e !important;"><strong>When We Were Kings </strong>📹</a></h3><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;">It’s hard to tear your eyes from <strong>Muhammad Ali</strong> in this 1974 showdown with <strong>George Foreman </strong>for the world heavyweight belt. What was so remarkable about this title fight is that all of its participants were fish out of water. <strong>Mobutu Sese Seko</strong> was just crazy enough to put up the ten million dollar purse (five million a piece) in hopes of putting Zaire on the world stage. His gamble paid off, immortalizing the Congo as the backdrop for the ‘rumble in the jungle’. I was held spellbound by the 1996 documentary and its archival footage of <strong>James Brown</strong>, <strong>Bill Withers </strong>and a youthful <strong>Don King</strong>. But to watch Ali and his machine gun zeal is to be reminded that charisma is contagious. </p>
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      <h3 style="color:inherit;margin:1.414em 0 .5em;font-weight:400;line-height:1.25em;font-size:1.44em;mso-line-height-alt:1.44em;margin-top:0;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;letter-spacing:0em;"><a href="https://www.youtube.com/watch?v=g8zxiB5Qhsc" rel="nofollow" style="color:#e73e3e !important;"><strong>Monkey Man </strong>🎥</a></h3><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;">The personal is political in <strong>Dev Patel</strong>’s action-packed directorial debut.  Sure, there’s nothing all that novel about the story’s archetypal frame but Patel and his writing team go the extra mile in making social commentary sing. Sure,<strong> Monkey Man</strong> panders to the moment, laced with a kinetic pace ripe for <strong>TikTok</strong>, but it’s viciously vicarious action set pieces and self-referential Bollywood nods are not to be missed.<strong> Patel</strong> joins a rarefied list of actors that elevate their talents behind the camera. He also enjoys the privilege of drawing the ire of <strong>Narendra Modi</strong>’s government as it drags it feet on a nationwide release.</p>
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      <h3 style="color:inherit;margin:1.414em 0 .5em;font-weight:400;font-size:1.44em;mso-line-height-alt:1.44em;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;letter-spacing:0em;line-height:1.25em;margin-top:0px;margin-bottom:0.5em;"><a href="https://www.nytimes.com/2002/08/03/books/master-storyteller-or-master-deceiver.html" rel="nofollow" style="color:#e73e3e !important;"><strong>Sir Laurens Van Der Post </strong>👤</a></h3><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;"><a href="https://vimeo.com/417620094" rel="nofollow" style="color:#e73e3e !important;"><strong>Hasten Slowly</strong></a>, a 2001 documentary on the legacy of <strong>Sir Laurens Van Der Post</strong>, simmers in my mind’s eye. I knew nothing about the late author beyond the fact that his confessional publication <strong>The Seed and the Sower</strong>, based on his years in a Japanese concentration camp during WWII, served as the basis for <a href="https://www.youtube.com/watch?v=6GxiqbFG_Dw" rel="nofollow" style="color:#e73e3e !important;"><strong>Merry Christmas, Mr. Lawrence</strong></a>. But what lingers is Van Der Post’s life crisis following his release. Spiritually bereft on his return home to South Africa, he retreated from public life, drawing into the wilderness in search of himself and <a href="https://www.bookdelivery.com/pt-en/book-the-lost-world-of-the-kalahari-with-the-great-and-the-little-memory/9780099428756/p/49360998?gad_source=1&amp;gclid=CjwKCAjwqre1BhAqEiwA7g9QhsOpypUE0qyK9aj8i4Rgkl32Ds1dTohO8WH1UUUZj46cYKHrI0aa7BoCD8IQAvD_BwE" rel="nofollow" style="color:#e73e3e !important;"><strong>The Lost World of the Kalahari</strong></a>. The godfather to <strong>King Charles III</strong> was a true soul in wander. You can watch the doco <a href="https://vimeo.com/417620094" rel="nofollow" style="color:#e73e3e !important;">here</a>.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;"><a href="https://vimeo.com/417620094" rel="nofollow" style="color:#e73e3e !important;"><strong>“Human beings are perhaps never more frightening than when they are convinced beyond doubt that they are right.” — Sir Laurens Van Der Post&nbsp;</strong></a></p>
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