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Johann Hari on unplugging from the attention economy and much more!Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ Νβ
MY FAVOURITE THINGS | You Are My Sunshine
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βWhat is technology for? Why do we even make technology? We make technology because it takes the parts of us that are most human and extends them. Thatβs what a paintbrush is. Thatβs what a cello is. Thatβs what language is. These are technologies that extend some part of us. Technology is not about making us superhuman. Itβs about making us extra-human.β β JEF RASKIN
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Itβs a perverse feeling to look around a morning train carriage these days and witness every single commuter bent over glowing screens. Where once I saw myself as being in charge of my choices, The Social Dilemma has forced me to accept that we never stood a chance against the might of surveillance capitalism. The Netflix doco had me dreaming of my earliest days using social media, the awe and ecstasy that overwhelmed me when I connected with friends across the globe for the first time, and was offered an immersive window into their daily lives. As my social sabbatical stretches on, a part of me wonders whether I can ever recapture this feeling, free of anxiety-inducing addiction, once again.
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Iβve been returning to the quote above over and again since coming across it in Johann Hariβs new book. Jef Raskin, I was amazed to discover, was the man responsible for helping build the first Apple Macintosh for Steve Jobs. That his son, Asa Raskin, another Silicon Valley acolyte, would be celebrated for giving birth to the infinite scroll is a sobering evolution. Johann Hariβs new book pivots around the work of two key psychologists from the last century; B.F. Skinner and Mihaly Czikszentmihalyi. According to the British journalist, Skinnerβs Pavlovian experiments underpin the internet and social media in short order. Much like Nicholas Carrβs The Shallows and Cal Newportβs Digital Minimalism, Hari stresses that the remedy to this endless rat race lies in Czikszentmihalyiβs focus on losing oneself in our unique passions. βIf youβre asleep, youβre not spending money, so youβre not consuming anything. Youβre not producing any products. If we went back to sleeping a healthy amount, it would be an earthquake for our economic system, because society has become dependent on sleep-depriving people.β β Charles Czeisler
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Ricky Gervais had me in stitches while streaming his latest Netflix special. While Iβm all for people being held responsible for their words and actions, it scares me to admit just how much fear and trepidation pervades conversations with friends and strangers these days. Gervaisβs ability to traverse the cultural battlegrounds without a care in the world not only gives me hope but more importantly the courage to stand up for what matters most. Much like the Reading native, I believe the supernatural is a load of utter bollocks, collective imaginings to help us trample all over mother nature. Not only are we in agreement that every single human being has the right to self-determination but that we can be a whole lot nicer to each other, and our four-legged friends.
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I woke up the other day with a nagging urge to find out what Michael Fassbenderβs got cooking in the pipeline. After perusing his IMDb page, I was chuffed to discover that the German-born Irish actor is set to star in Taika Waititiβs new dramedy based on a 2014 documentary. The doco follows the travails of the American Samoa football club, formerly known as the worst team in the world, and best remembered for their abysmal 31-0 loss to Australia in 2001. Ripe with bittersweet twists and good-natured gallows humour, it promises to leave you howling in ecstatic agony. While the curious cast of volunteer players are truly endearing, the arrival of Dutch FIFA coach Thomas Rongen injects the drama.
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A vicarious thrill surged through me while watching Julia Roberts and Sean Penn bludgeon each other with brutal honesty in Matt Rossβs new Starz original series Gaslit. While the first few episodes left me abuzz, it inspired me to finally screen Captain Fantastic, Rossβs sophomore feature film. The indie drama had a powerful effect on me. Much like the title characters, a highly disciplined family living off-grid in the Oregonian mountains, I have laboured for years on end, pushing my body and mind to new depths in the pursuit of knowledge and excellence. Yet just like this odd-bunch, such sacrifice has come at the expense of certain comforts and validation. The film offers a startlingly refreshing examination of present-day society as Viggo Mortensen, and his precocious brood, wage war against Americaβs undereducated and overmedicated ills.
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Michael Mann, celebrated for his 1980s hit serial Miami Vice, returns with a lush and hard-hitting examination of Japanβs tight-knit underworld in Tokyo Vice. Famously pitching the pastel saturated romp as MTV Cops, one can imagine a similar pitch of The Wire meets Black Rain for this HBO Max original. Traces of Ridley Scottβs 1989 Yakuza crime saga are evident from the primary casting to the unfolding narrative. Yet what sets this fish out of water story apart from its peers is the fact that Jake Adelstein, an American expatriate, dishes the inside scoop from the inside. After learning that Adelstein was the first Western journalist to work for Yomiuri Shimbun, a flagship Japanese newspaper, Iβm set to tuck into Adelsteinβs 2009 memoir of the same name.
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A recent re-watch of Taylor Hackfordβs Ray transported me right out of my mid-week funk, and helped me remember why the 2004 biopic is the cream of the crop. As someone that loves reflecting on the inspiring lives of yesteryear, Ray Charles sits right up there as a leading light. That a blind man managed to inveigle his way into the hearts and minds of the world, securing a landmark deal with ABC that eclipsed the likes of Frank Sinatra, is some kind of wonderful. This 1962 album was one of Charlesβs first creative endeavours after leaving Atlantic Records, a highly controversial passion project that would become one of his most cherished and timeless offerings. I canβt wait to dive into David Ritzβs Brother Ray, his celebrated biography on the musical titan.
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A nostalgic longing led me to pick up Bret Easton Ellisβs debut novel while spring cleaning my bookshelf. The 1983 publication had a profound effect on me right after high school, its nihilist rhetoric and deadened cast of characters leaving me comfortably numb. Set against the sun-bleached backdrop of Los Angeles, the aimless narrative follows an ensemble of college kids addicted to MTV, drugs, and the pursuit of excess. What was most surprising, and slightly disconcerting, is how the book left me feeling as an adult. While the fatalistic cast of characters are compelling to behold much the way a highway accident or house fire steals our attention, it paints a troubling portrait of entitlement.
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Oliver Bulloughβs phenomenal Guardian article, a sliver from his new book Butler To The World, is the first piece to really help me reckon with the tensions underlying the ongoing war in Ukraine. Bullough picks up where he left off with Moneyland, previously reviewed in this newsletter, this time taking aim at Dimitry Firtash, a well-connected Ukrainian billionaire with direct ties to the Kremlin. Itβs incredible to realize how money can buy just about anything these days, from the sale of a former tube station to connections with British royalty, and its most revered politicians. The article also turned me onto Catherine Beltonβs incredible Putinβs People: How The KGB Took Back Russia And Then Took On The West and this chilling quote from a former Putin insider on his old boss. βHe would have gone gladly after four years, I think, but then all these controversies happened. With the West now, there is such a serious standoff that itβs almost the Cuban missile crisis. And now heβs gone even deeperβ¦ He understands that if it goes further, he will never get out.β β Sergei Pugachev
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Iβve had EVβs on the brain ever since tuning into this four-part podcast series. While Muskβs reputation continues to be maligned in the face of his personal antics, itβs hard not to tip your hat to his groundbreaking accomplishments. That his hare-brained ventures have dethroned Jeff Bezos to make him the worldβs richest man is measurement enough. As for the automotive EV giant, Iβm in awe of the all new six-seater Model X Plaid and its controversial yoke steering wheel. As Doug DeMuro unveils their roomiest model to date, and the first and only car brand to truly innovate the interior functions of an automobile, Jeremy Clarkson proves that this βsoccer mom carβ can leave an Audi R8 in the dust. While we have Martin Eberhard and Marc Tarpenning to thank for founding the fledgling company in 2003, due credit goes to Musk for lighting a fire under Detroitβs derriere.
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As this 1971 UK article suggests, Marvin Gaye was a contrarian spirit, a recluse that hated the spotlight yet yearned to be loved by the world over. The D.C. native would find an early mentor in the guise of Harvey Fuqua, leader of the doo-wop quintet The Moonglows, who not only cultivated his unrelenting perfectionism but showed him how to sleep his way to success. Just as Fuqua used a fleeting relationship with Etta James to cut some incredible duets, the young upstart would wed Anna Gordy (seventeen years his senior!) to secure his seat at the Motown table. I loved reading about Here, My Dear, my personal favourite LP, commissioned as an alimony payment in his very public divorce some fifteen years later, and spurred on by his ongoing tryst with a teenage Jan Hunter (seventeen years his junior!). βBerry Gordy thought like an oil man. Drill as many holes as you can and hope for at least one gusher. He wound up with a whole oil field.β β Marvin Gaye
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The last few weeks have brought the passing of one musical legend after another from Bob Neuwirth to Ronnie Hawkins and Depeche Modeβs Andy Fletcher. Yet it was the obituary of Vangelis, born Evangelos Odysseas Papathanassiou, that fanned the embers of nostalgia. If youβre a film nutter like me, than youβre intimately familiar with the touchstones of a Vangelis score. Films like 1981βs Chariots of Fire, 1982βs Blade Runner, and 1984βs The Bounty, a period blockbuster with a curiously bonkers plot line. His prodigious solo work was just as powerful, including his 1979 LP China (which features in Ridley Scottβs Chanel No. 5 commercial) and The Tegos Tapes, an eight-hour ambient compilation made for the exclusive use of a friendβs surgical ward.
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Michael Mannβs Tokyo Vice has got me all hot and bothered for late nineties and early noughties Japanese culture. Kahimi Karie has been the icing on the cake, a Shibuya-based singer songwriter, whose soft-spoken vocals made her an overnight sensation with a new generation. My First Karie, released in 1995, consists of a collection of tracks that yo-yoβs between English and French and seemingly inspired the seductive covers of Nouvelle Vague. Karieβs Wikipedia profile notes that this choice stemmed directly from her newfound obsession for Serge Gainsbourg and FranΓ§iose Hardy. At the prompting of her then-boyfriend, she put her photography aside to record a debut single in 1992, paving the way for her dreams to come.
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