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    <title data-ignore-plain-text>💎MY FAVOURITE THINGS💎 || The Pure and the Damned</title>
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      <p class="" style="color:inherit;font-size:1em;line-height:1.618em;font-weight:normal;margin-top:0;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;">I’ve been under the thumb of a pretty wicked head cold, brought about by a trip to the South Highlands with a couple of fun-loving compadres (an outdoor bath in the dead of night the most obvious culprit). As I’ve done my best to dive back into my work, I’ve been constantly distracted by my inbox, news alerts calling attention to a stream of injustices heralding from the land of the free. While the whole situation makes my blood boil, I’ve been doing my best to listen and reflect on these tragic events. As <strong>Barack Obama</strong> <a href="https://medium.com/@BarackObama/how-to-make-this-moment-the-turning-point-for-real-change-9fa209806067" target="" rel="nofollow noopener noreferrer" style="color:#e73e3e !important;">penned this week</a>, so much can be learned from this painful time, opportunities to change and heal the wounds of history. The former POTUS has helped me to look over my own backyard and the injustices perpetrated to the indigenous peoples of Australia. While I’ve ignored this history for too long, brutally ashamed at the historical accountings I’ve happened upon over the years, I’m turning to face the music. </p>
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      <h3 style="color:inherit;margin:1.414em 0 .5em;font-weight:400;line-height:1.25em;font-size:1.44em;mso-line-height-alt:1.44em;margin-top:0;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;letter-spacing:0em;"><a href="https://www.amazon.com.au/Elon-Musk-SpaceX-Fantastic-Future/dp/006230125X&nbsp;" target="" rel="nofollow noopener noreferrer" style="color:#e73e3e !important;"><strong>Elon Musk</strong></a></h3><p class="" style="color:inherit;font-size:1em;line-height:1.618em;font-weight:normal;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;">It’s a strange feeling to recognize and celebrate <strong>SpaceX</strong>’s successful transit to the International Space Station in the wake of such catastrophic upheavals around the continental United States. All the same I was moved to wonder seeing a private company, founded by an immigrant, begin a new chapter in space exploration. While Musk has been figuratively crucified for his personal antics (condemning the pandemic lockdown and returning to work against California guidelines) and choice of baby names (the magnate lays most of the blame on his partner) he is nonetheless an indomitable spirit shifting the culture right under our noses. Not only do his companies inspire, from their bold innovative approach down to their ecological focus, but he seems to be the only billionaire trying to reduce our carbon footprint. <a href="https://www.amazon.com.au/Elon-Musk-SpaceX-Fantastic-Future/dp/006230125X&nbsp;" target="" rel="nofollow noopener noreferrer" style="color:#e73e3e !important;"><strong>Ashlee Vance</strong>’s accounting</a> of the South African native is not only educational but empowering reading.&nbsp;</p>
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      <h3 style="color:inherit;margin:1.414em 0 .5em;font-weight:400;line-height:1.25em;font-size:1.44em;mso-line-height-alt:1.44em;margin-top:0;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;letter-spacing:0em;"><a href="https://podcasts.apple.com/us/podcast/broken-record-presents-the-limits-of-power/id1311004083?i=1000476519212" target="" rel="nofollow noopener noreferrer" style="color:#e73e3e !important;"><strong>The Limits of Power</strong></a></h3><p class="" style="color:inherit;font-size:1em;line-height:1.618em;font-weight:normal;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;">On the drive up to Newcastle this week I tuned in a new episode of <strong>Broken Record</strong>, a music-focused podcast by <strong>Rick Rubin</strong> and <strong>Malcolm Gladwell</strong>. In place of their regular programming, Gladwell shares an Audible chapter from his celebrated 2013 book <strong>David and Goliath</strong>, a section devoted to the history of modern insurgency. Listening to Gladwell shed light on the ‘troubles’ in Northern Ireland in the seventies was eye-opening and surprisingly prescient in light of recent event. For while the clash between the Protestants and Catholics fails to touch on race, it nonetheless paints a solemn picture of injustice. When we treat our fellow man — in particular the most vulnerable among us — with brutal disdain and prejudice we sow the seeds of our own downfall. This recent string of public atrocities, from <strong>Ahmaud Arbery</strong>, <strong>George Floyd</strong> and <strong>Breonna Taylor</strong>&nbsp;to name but a few, are tell-tale signs that the system is beyond repair.</p>
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      <h3 style="color:inherit;margin:1.414em 0 .5em;font-weight:400;line-height:1.25em;font-size:1.44em;mso-line-height-alt:1.44em;margin-top:0;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;letter-spacing:0em;"><a href="https://www.youtube.com/watch?v=mHNng3hb4co" target="" rel="nofollow noopener noreferrer" style="color:#e73e3e !important;"><strong>Bad Education</strong></a></h3><p class="" style="color:inherit;font-size:1em;line-height:1.618em;font-weight:normal;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;">I streamed this new release on <strong>Foxtel Go</strong> last weekend and thoroughly enjoyed myself. The Sundance hit, based on the true accounting of a rather juicy scandal in a New Jersey school district in the early noughties, is a fun-loving ride. <strong>Hugh Jackman</strong> soars as superintendent of a well-to-do district, a handsome middle-aged educator who has some very dirty linen in his hamper (<strong>Alison Janney</strong> is exceptionally mesmeric too!). Expertly helmed by newcomer <strong>Cory Finley</strong> in his follow-up feature, this dark comedy does a magnificent job of exploring the masks we wear in public (and especially those worn by wolves in sheep’s clothing). I’ve always enjoyed these kinds of flicks, like <strong>Barry Levinson</strong>’s <strong>The Wizard of Lies</strong>, especially when the fall-out leaves a community in tatters.&nbsp;</p>
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      <h3 style="color:inherit;margin:1.414em 0 .5em;font-weight:400;line-height:1.25em;font-size:1.44em;mso-line-height-alt:1.44em;margin-top:0;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;letter-spacing:0em;"><a href="https://podcasts.apple.com/us/podcast/deepak-chopra-on-how-to-be-more-present-not-be-overwhelmed/id1450994021?i=1000458412680" target="" rel="nofollow noopener noreferrer" style="color:#e73e3e !important;"><strong>On Purpose</strong></a></h3><p class="" style="color:inherit;font-size:1em;line-height:1.618em;font-weight:normal;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;">After being introduced to the illustrious imagination of <strong>Jay Shetty</strong> a couple weeks back, I tucked into <strong>On Purpose</strong>, his celebrated podcast series. Scrolling through his star-studded episodes, I settled on this conversation with <strong>Deepak Chopra</strong> and was duly impressed. I’ve never given much time to the Indian-American doctor and thinker but was blown away with so many of the ideas expressed in their hour long chat. Chopra speaks to the power of positivity and the importance of self-care. A medical practitioner at the forefront of research and development, Chopra divulges that&nbsp;only a small minority of life-threatening illnesses stem from the genetic level. The remainder (ninety-five percent!!) come down to lifestyle and diet. So put down that slice of pizza and hunt down the nearest elliptical machine!</p>
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      <h3 style="color:inherit;margin:1.414em 0 .5em;font-weight:400;line-height:1.25em;font-size:1.44em;mso-line-height-alt:1.44em;margin-top:0;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;letter-spacing:0em;"><a href="https://www.youtube.com/watch?v=hJGedvRfHYg" target="" rel="nofollow noopener noreferrer" style="color:#e73e3e !important;"><strong>The Great</strong></a></h3><p class="" style="color:inherit;font-size:1em;line-height:1.618em;font-weight:normal;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;">I had some sincere reservations going into this new zeitgeist hit, a series dedicated to (re)examining <strong>Catherine the Great</strong>’s earliest years. Created by Australian writer <strong>Tony McNamara</strong>, it offers a revisionist look at the 18th-Century Russian Empress and her path to glory. Three episodes in, I’m unashamed to admit that I’ve been taken with its postmodern charm and curious cast of characters. <strong>Nicholas Hoult</strong> does an incredible job of channeling the inner world of Gen Z as this spoiled Emperor, reprising a variation of his role in <strong>Yorgos Lanthimos</strong>’ <strong>The Favourite</strong>. Yet it is <strong>Elle Fanning</strong> who takes the cake, dispelling the vanity and avarice of his court in favour of ‘real change’. It’s sad to think that these kinds of show might be the only way for young people to ‘eat their greens’ and learn about their place in history. All the same McNamara has left me smirking. </p>
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      <h3 style="color:inherit;margin:1.414em 0 .5em;font-weight:400;line-height:1.25em;font-size:1.44em;mso-line-height-alt:1.44em;margin-top:0;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;letter-spacing:0em;"><a href="https://www.youtube.com/watch?v=IAZEWtyhpes" target="" rel="nofollow noopener noreferrer" style="color:#e73e3e !important;"><strong>What We Do In The Shadows</strong></a></h3><p class="" style="color:inherit;font-size:1em;line-height:1.618em;font-weight:normal;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;"><strong>Taika Waititi</strong>’s ascension to the top of the crop has been one of the most exciting turns in the last few years. The New Zealand native has such a sincere humanist slant to his voice, mixed with a childlike disposition towards joyful irreverence and wonder. This curious combination is found within this 2014 film following the trials and tribulations of a household of vampires who have been living under the same roof for close to a century. While the narrative stretches into some inane territories, I found its cast of characters full of charm and wit. I was surprised to learn that Waititi shared writing and directing credit with <strong>Jermaine Clement</strong> and  earned his wings working with Clement and <strong>Bret Mackenzie</strong> on <strong>Flight of The Concords</strong> back in the noughties. While I can’t say I’m all that jazzed to watch a bunch of Yankees reprise the roles for teevee, I’m nonetheless ecstatic that this little dark comedy has found favour with the big whigs</p>
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      <h3 style="color:inherit;margin:1.414em 0 .5em;font-weight:400;line-height:1.25em;font-size:1.44em;mso-line-height-alt:1.44em;margin-top:0;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;letter-spacing:0em;"><a href="https://open.spotify.com/playlist/1krhv3xid5E7Z88ycPsvQb?si=3s46_NYMTb2tgyqmyUWICA" target="" rel="nofollow noopener noreferrer" style="color:#e73e3e !important;"><strong>In The Absence Thereof</strong></a></h3><p class="" style="color:inherit;font-size:1em;line-height:1.618em;font-weight:normal;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;">A word of warning. <strong>Thom Yorke</strong>’s latest playlist for Sonos is not for everyone. For while there are some beautiful tracks interlaced into this playlist, the overall tone and sensibility is rather sombre take on our current moment. While Yorke’s wide-ranging selection is guaranteed to leave many <strong>Radiohead</strong> fans aggrieved, I for one am duly impressed with the musical titan. From his earliest days in art school, Yorke was drawn to the eccentric, his tastes skewing on the dark side of creativity. It’s nice to know that his monumental fame and acclaim hasn’t poisoned his noggin. &nbsp;</p>
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      <h3 style="color:inherit;margin:1.414em 0 .5em;font-weight:400;line-height:1.25em;font-size:1.44em;mso-line-height-alt:1.44em;margin-top:0;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;letter-spacing:0em;"><a href="https://www.nytimes.com/article/breonna-taylor-police.html" target="" rel="nofollow noopener noreferrer" style="color:#e73e3e !important;"><strong>Breonna Taylor</strong></a></h3><p class="" style="color:inherit;font-size:1em;line-height:1.618em;font-weight:normal;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;">I was devastated to read about yet another miscarriage of justice by way of <strong>Nick Kroll</strong>, who shares a birthday with the former first responder. It’s so hard to continue reading about these disgusting events. Police raiding her home in the middle of the night under tenuous circumstances before taking her life in a barrage of gunfire. How an emergency worker with aspirations to help her community, putting her life on the line in the age of corona, can die at the hand of police brutality is enough to abandon hope altogether. Taylor, murdered in March by those intended to uphold the peace, would have celebrated her twenty-seventh birthday this week.</p>
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      <h3 style="color:inherit;margin:1.414em 0 .5em;font-weight:400;line-height:1.25em;font-size:1.44em;mso-line-height-alt:1.44em;margin-top:0;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;letter-spacing:0em;"><a href="https://open.spotify.com/album/3cpNHI7xhNIosF9WjSk8Zh?si=JCA_vM8kR8WaNSQ--LGFXw" target="" rel="nofollow noopener noreferrer" style="color:#e73e3e !important;"><strong>Naturally</strong></a></h3><p class="" style="color:inherit;font-size:1em;line-height:1.618em;font-weight:normal;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;">I came across <strong>J.J. Cale</strong>’s incredible debut while warming myself by a fire in the Southern Highlands last weekend. Renting a cottage with a pair of friends, we celebrated the end of lockdown Down Under with far too much good food and wine. While I’d never tuned into this 1973 LP before, it proved the perfect accompaniment to the frosty climes and left me hungry for more. The Oklahoma native, credited with originating the Tulsa sound — a curious combination of swamp rock, rockabilly and country — moved to LA as a young lad to find fame. Returning home a few years later, disillusioned after failing to strike gold, his hopes soon renewed after discovering <strong>Eric Clapton</strong> had covered his first and only single <strong>After Midnight</strong>. Returning to the studio with some friends, Cale would coax this debut stunner into the world, an easy going record ripe with that Mason-Dixie-line charm. </p>
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      <p class="" style="color:inherit;font-size:1em;line-height:1.618em;font-weight:normal;margin-top:0;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;">Thanks for reading. To show your support, forward it to someone who’d like it.<br><br>If you’re seeing this newsletter for the first time, you can read previous issues and&nbsp;<a href="https://www.jamespillion.com/newsletter" target="" rel="nofollow noopener noreferrer" style="color:#e73e3e !important;">subscribe here</a>.</p>
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