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            Stevie Wonder’s Love Letter to Life and much more͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;
        
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      <h2 style="color:inherit;margin:1.414em 0 .5em;font-weight:400;line-height:1.25em;font-size:1.7279999999999998em;mso-line-height-alt:1.7279999999999998em;margin-top:0;margin-bottom:0;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;letter-spacing:-.01em;">MY FAVOURITE THINGS | Higher Ground</h2>
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      <h4 style="color:inherit;margin:1.414em 0 .5em;font-weight:400;line-height:1.25em;font-size:1.2em;mso-line-height-alt:1.2em;margin-top:0;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;letter-spacing:.02em;"><strong>“I am what I am. I love me! And I don't mean that egotistically - I love that God has allowed me to take whatever it was that I had and to make something out of it.”<br></strong></h4><p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;text-align:right;line-height:1.618em;margin-bottom:0px;" class="">— STEVIE WONDER</p>
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<table role="presentation" width="100%" cellpadding="0" cellspacing="0" border="0" bgcolor="transparent" class="text-section section-content">
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      <p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;">A compelling conversation with a romantic other around the power of perspective had me chewing on a new remedy. One that helps us rise above  personal pain and suffering by asking ourselves a simple question. How many poor souls out there are battling the very same demons at this very moment? The practice of meditation continues to collapse so many false walls of my mind, reminding that my problems are not, and have never been, separate from the rest. It’s not easy to swallow this lump of truth in the age of social media but when we can hold it alongside our own, the act of suffering never quite feels the same.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;">November already? For all my fellow disbelievers here’s a new <a href="https://open.spotify.com/playlist/68fI6ZJyRBf8fSxS0j6uur?si=12b0eb1f7ebd4ddd" rel="nofollow" style="color:#e73e3e !important;">monthly playlist</a> to tune out the noise 🎶 </p>
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<table role="presentation" width="100%" cellpadding="0" cellspacing="0" border="0" bgcolor="transparent" class="text-section section-content">
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      <h3 style="color:inherit;margin:1.414em 0 .5em;font-weight:400;line-height:1.25em;font-size:1.44em;mso-line-height-alt:1.44em;margin-top:0;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;letter-spacing:0em;"><a href="https://podcasts.apple.com/us/podcast/the-wonder-of-stevie/id1767486783" rel="nofollow" style="color:#e73e3e !important;"><strong>The Wonder of Stevie </strong>📻</a></h3><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;">Everything you need to know about this new podcast is jam-packed into <strong>Wesley Morris</strong>’ debut episode on <strong>Stevie Wonder</strong>’s <a href="https://podcasts.apple.com/us/podcast/music-of-my-mind-1972/id1767486783?i=1000670752382" rel="nofollow" style="color:#e73e3e !important;"><strong>Music of My Mind</strong></a><strong>. </strong>Because in exploring the making-of process of this 1972 release, Morris proves that Wonder, not <a href="https://www.youtube.com/watch?v=bAIUX5s7hPs" rel="nofollow" style="color:#e73e3e !important;"><strong>TONTO</strong></a>, is the true synthesizer. This six-part series on the maestro’s evolution is a study of manifest destiny. Behind the never-ending love in, Morris unearths the larger message behind cherished classics like <em><strong>Superstition</strong></em> (a personal favourite) and Wonder’s desire to substitute love in place of our collective fears. <strong>Smokey Robinson</strong>’s sneaky little <strong>Airbnb</strong> slots are a masterclass in subterfuge.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;"><a href="https://open.spotify.com/track/4N0TP4Rmj6QQezWV88ARNJ?si=6a128756292b42b0" rel="nofollow" style="color:#e73e3e !important;"><strong>“When you believe in things, that you don't understand, then you suffer, Superstition ain't the way” — Stevie Wonder</strong></a></p>
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      <h3 style="color:inherit;margin:1.414em 0 .5em;font-weight:400;font-size:1.44em;mso-line-height-alt:1.44em;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;letter-spacing:0em;line-height:1.25em;margin-top:0px;margin-bottom:0.5em;"><a href="https://www.youtube.com/watch?ab_channel=AfterSkool&amp;v=O3osv_8QPF8" rel="nofollow" style="color:#e73e3e !important;"><strong>The Psychology of Conformity </strong>🖥</a></h3><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;">This <strong>After Skool</strong> <a href="https://www.youtube.com/watch?ab_channel=AfterSkool&amp;v=O3osv_8QPF8" rel="nofollow" style="color:#e73e3e !important;">video</a> gave voice to my anxieties around the launch of <strong>Conversations in Creativity</strong>, a workshop that celebrates the boundless power of creative thinking. At heart, my prolonged procrastination came down to a matter of worth, because for far too long I muted my voice on the basis of self-doubt. But just as we can set our vivid imaginations to crippling our calling so too can we channel main-character energy. Fake it til you make it. It helps to remember that the most captivating souls we’ll ever meet weren’t born interesting. They cultivated their fascinations by moving to their own music. A curated playlist designed for their ears only.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;"><a href="https://www.youtube.com/watch?ab_channel=AfterSkool&amp;v=O3osv_8QPF8" rel="nofollow" style="color:#e73e3e !important;"><strong>“We shy away from greatness so we can be like everyone else.” — Abraham Maslow</strong></a></p>
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      <h3 style="color:inherit;margin:1.414em 0 .5em;font-weight:400;line-height:1.25em;font-size:1.44em;mso-line-height-alt:1.44em;margin-top:0;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;letter-spacing:0em;"><a href="https://www.amazon.com/Waking-Up-Spirituality-Without-Religion/dp/1451636024" rel="nofollow" style="color:#e73e3e !important;"><strong>Waking Up </strong>📚</a></h3><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;">This book is all about rewiring our circuitry, disengaging from the never-ending cycle of thoughts to better appreciate the beauty of consciousness. Like <strong>Sam Harris, </strong>my journey inward was set off by psychedelic adventures, ceremonial trips that shed light on the absurdity of the self. Yet it was only through the practice of meditation that these cosmic visions were made manifest. The true magic of this cerebral book is its no-nonsense guide to <a href="https://www.amazon.com/Waking-Up-Spirituality-Without-Religion/dp/1451636024" rel="nofollow" style="color:#e73e3e !important;"><strong>Waking Up</strong></a><strong>. </strong>For while we can’t mute the endless thoughts swirling at any given moment, we can transform our relationship to them. Because in learning to observe the interminable noise much like clouds passing overhead we can break out of the madhouse to tap in to the true flow of life. </p>
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      <h3 style="color:inherit;margin:1.414em 0 .5em;font-weight:400;line-height:1.25em;font-size:1.44em;mso-line-height-alt:1.44em;margin-top:0;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;letter-spacing:0em;"><a href="https://www.youtube.com/watch?v=WtvoFZH2yZ4" rel="nofollow" style="color:#e73e3e !important;"><strong>La Belle et la Bête </strong>🎥</a></h3><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;">I never had the pleasure of enjoying <strong>Jean Cocteau</strong>’s cinematic fantasy as a child and yet I can’t help but wonder as to the vivid nightmares fuelled by the sight of <strong>Jean Marais</strong> as the dashing fur-faced Beast. Or the daydreams that <strong>Josette Day</strong> would have inspired from her smoldering beauty alone. While I’m ignorant to the author’s larger intentions, <strong>Gabrielle-Suzanne Barbot de Villeneuve</strong>’s fairy tale (abridged into a 18th Century bestseller by <a href="https://en.wikipedia.org/wiki/Jeanne-Marie_Leprince_de_Beaumont" rel="nofollow" style="color:#e73e3e !important;"><strong>Jeanne-Marie Leprince de Beaumont</strong></a>) echoes an idea that consumes me. The true grace of animals. In fact the only true beasts I’ve encountered are the ones that consume the hearts of unfulfilled men.</p>
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      <h3 style="color:inherit;margin:1.414em 0 .5em;font-weight:400;line-height:1.25em;font-size:1.44em;mso-line-height-alt:1.44em;margin-top:0;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;letter-spacing:0em;"><a href="https://www.youtube.com/watch?v=EsRNV1cJ-jA" rel="nofollow" style="color:#e73e3e !important;"><strong>Words of Love </strong>📹</a></h3><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;"><strong>Nick Broomfield</strong>’s <a href="https://www.youtube.com/watch?v=EsRNV1cJ-jA" rel="nofollow" style="color:#e73e3e !important;"><strong>Marianne &amp; Leonard: Words of Love</strong></a> was the perfect detour on the road to reading <a href="https://www.amazon.com/Various-Positions-Leonard-History-Culture/dp/0292717326" rel="nofollow" style="color:#e73e3e !important;"><strong>Various Positions</strong></a>, <strong>Ira B. Nadel</strong>’s fascinating biography on <strong>Leonard Cohen</strong>. <strong>Susan Cain</strong>’s <a href="https://www.fnac.pt/Bittersweet-How-To-Turn-Sorrow-Into-Creativity-Beauty-And-Love-Susan-Cain/a11086989?gad_source=1&amp;gclid=CjwKCAjw-JG5BhBZEiwAt7JR63_g7LKSleUh4_vB9iAVw1nGP-4q5Uw6K4q5caQwEiTY3BowQLzJ6BoCj0QQAvD_BwE&amp;origin=google_pla_livro" rel="nofollow" style="color:#e73e3e !important;"><strong>Bittersweet</strong></a> resurrected my curiosity to know just what made the sensitive soul tick. A little bit of everything it turns out. Like the best artists, he served himself up on a silver platter, a walking-talking barometer of public life.&nbsp; While the resulting narrative is par for the course, it delivers an unexpected twist in Broomfield’s adolescent infatuation with <a href="https://www.youtube.com/watch?v=EsRNV1cJ-jA" rel="nofollow" style="color:#e73e3e !important;"><strong>Marianne Ilhen</strong></a>. These vicarious asides capture a woman in mourning, secretly yearning for a love that touched the sides all the way down.</p>
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      <h3 style="color:inherit;margin:1.414em 0 .5em;font-weight:400;font-size:1.44em;mso-line-height-alt:1.44em;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;letter-spacing:0em;line-height:1.25em;margin-top:0px;margin-bottom:0.5em;"><a href="https://www.nytimes.com/2023/12/14/arts/design/lee-miller-photographer-gagosian.html" rel="nofollow" style="color:#e73e3e !important;"><strong>Lee</strong> <strong>Miller</strong> 👤</a></h3><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;">A Sunday afternoon with <strong>Ellen Kuras</strong>’ <a href="https://www.nytimes.com/2024/09/26/movies/lee-review.html" rel="nofollow" style="color:#e73e3e !important;"><strong>Lee</strong></a> helped me fall back in love with the silver screen. Because <strong>Lee Miller</strong>’s story is one of intention. <a href="https://www.blind-magazine.com/news/lee-miller-from-vogue-to-buchenwald-and-dachau/" rel="nofollow" style="color:#e73e3e !important;">Trading in her beauty for a Rolleiflex</a>, Miller willfully wrested a new life from the grips of her male counterparts by offering no alternative. This trait, endemic to the most ‘successful’ men and women of history, was Miller’s superpower. To judge by her inability to find peace and spiritual absolution after the <a href="https://www.youtube.com/watch?v=x89PXbUSeco" rel="nofollow" style="color:#e73e3e !important;">horrors of Dachau</a>, it was also her eventual undoing. But it’s her devil-may-care attitude that lingers, forever immortalized by <a href="https://www.iwm.org.uk/history/lee-millers-second-world-war" rel="nofollow" style="color:#e73e3e !important;">her portrait in <strong>Adolf Hitler</strong>’s personal tub</a>. What a vision.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;"><a href="https://www.nytimes.com/2023/12/14/arts/design/lee-miller-photographer-gagosian.html" rel="nofollow" style="color:#e73e3e !important;"><strong>“In that moment I suddenly realized that I had gotten her wrong. I had thought of her as a useless drunk and hysterical figure.&nbsp;She was in fact a very accomplished and courageous woman.” — Antony Penrose</strong></a></p>
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